Colour

If you require any clarification on any of the points raised on this page, please contact us.

Introducing our colours

Every brand has a defined look and feel and distinct brand colours are crucial part of this. They allow you to build both instant recognition of material as well as helping shape positive associations of the brand itself.

Experian is no different and we have defined our brand colours that should be evident in all that we create. This section will showcase the colours for both print and online material to make sure that we are consistent globally in everything we do.

Please watch this short video to find out more about our brand colours.

Please note:
The colour values highlighted on this page reflect the core Experian brand palette for use in print and digital formats.  A more detailed colour palette based on this has been developed specifically for digital product design and can be found as part of the Experian Design System.

Primary — colour palette

We are a blue and purple brand. This simple, yet distinctive palette of colours makes us stand out and plays a critical part in what makes us look and feel different.

Blue is a core brand colour. It is used in the Experian wordmark and acts as a consistent thread running through all of our brand material. A selection of warm magenta and purple tones also plays an important part in our palette and should be used generously across all our brand communications.

Grey is a neutral colour we mainly use for text. In most instances this will be a 80% tint of black. If your text is extremely small, you can consider using black instead of grey.

White is an essential element of our brand. In compositions and layouts, the deliberate, generous use of white space provides a sense of calm and confidence and a canvas against which the other brand colours have greater impact.

Colour is subjective and evokes different emotional responses. Even if the brand colours are not your personal favorite they need to be used. 

Experian primary print colour palette shown with blues, purple, pinks and blacks.

When developing content for the web, please be aware that the brand colours may look slightly different depending upon your monitor calibration, the program you are using to develop content, and your web browser. By following the steps below, you will achieve the closest representation of the intended brand colours. 

Experian primary web colour palette shown with blues, purple, pinks and blacks

Support colours — colour palette

Our support colours are derived from our primary colours. We use a selection of tints ranging between 80% and 20% opacity.

Text on colours:

  • Grey text (80%) can be used on tints ranging from 5%–50%.
  • Black text can be used on tints ranging from 5%–60%.
  • White text can be used on tints ranging from 60%–100%.

Tints can be used with the solid primary colours to create a tone on tone effect, or when you want to use colour with a more subtle effect than a solid colour. Though tints are provided for flexibility, care should always be taken to ensure the strength of the Experian brand. An over use of tints can betray this brand view.

Note: The 10% and 5% tints should only be used for full-colour backgrounds (as well as rounded corner rectangular backgrounds), not for small graphics or to colour holding shapes such as squircles.

Experian secondary print colour palette shown from solids and tints of  blues, purples, pinks and blacks

For digital applications and backgrounds we use very subtle tints of 10% and 5%.This gives our brand more flexibility, without changing the overall look and feel.

Text on colours:

  • Grey text (80%K) can be used on tints ranging from 5%–50%. 
  • Black text can be used on tints ranging from 5%–60%. 
  • White text can be used on tints ranging from 60%–100%.

Tints can be used with the solid primary colours to create a tone on tone effect, or when you want to use colour with a more subtle effect than a solid colour. Though tints are provided for flexibility, care should always be taken to ensure the strength of the Experian brand. An over use of tints can betray this brand view.

Note: The 10% and 5% tints of the support colours should only be used for full-colour backgrounds (as well as rounded corner rectangular backgrounds), not for small graphics or to colour holding shapes such as squircles. On screen, the lower values can be used for smaller areas if needed. 

Experian secondary web colour palette shown from solids and tints of blues, purples, pinks and blacks with hex

Tertiary — colour palette

Seven colours make up the tertiary palette. Their role is to enhance our primary and secondary colours and to extend the range of our palette — primarily for information graphics, charts and graphs.

Experian Alert Red and Alert Green have been added to the tertiary colour palette to indicate alert states, however they can also be used in charts and graphs when additional colours are needed.

Note: For examples on how to apply the tertiary palette, please refer to the Visualising Information guidelines

Experian tertiary print colour palette shown in red, orange, yellow, greens and blues

Seven colours make up the tertiary palette. Their role is to enhance our primary and secondary colours and to extend the range of our palette — primarily for information graphics, charts and graphs.

Experian Alert Red and Alert Green have been added to the tertiary colour palette to indicate alert states, however they can also be used in charts and graphs when additional colours are needed.

Note: For examples on how to apply the tertiary palette, please refer to the Visualising Information guidelines

Experian tertiary web colour palette shown in red, orange, yellow, greens and blues

Colour profiles

Note to professional designers and artworkers producing print materials:

It is important to begin your print project with the correct colour profile so our brand colours will look accurate.

  • For Europe, all artwork should be created using the ‘Europe Prepress 3’ colour settings within the Abobe® Creative Suite®.
  • To change your colour profile open Adobe® Bridge, under the Edit menu select ‘Colour Settings” and select ‘Europe Prepress 3’ and then apply.
  • For North America, select North America General Purpose 2 within the Abobe® Creative Suite®. 
Print colour profile settings shown highlighting Europe Prepress 3 and North America General Purpose 2

Note to designers and artworkers producing web materials:

  • For optimal colour viewing, calibrate your monitor to the colour profile: sRGB IEC61966-2.1
  • Set your software programs to either Europe Web Internet 2 colour settings, or North America General Purpose 2 colour settings, depending upon where your content is going to primarily be viewed.
  • Finally, if working in Adobe programs, match your document or canvas to the Working RGB assigned profile that matches the monitor calibration profile: sRGB IEC61966-2.1

For all colours print and web, please use the listed values as opposed to sampling from this website.

Web colour profile settings shown highlighting Europe Web/Internet 2 and North America General Purpose 2

Gradients

The gradient bar is a support element that is mainly used to divide and structure content. Typical examples in which it is applied are above footers or when more complex layouts require further organisation. It can also be used to create emphasis around call-outs.

The gradient, in a gradient bar, is always applied horizontally using an angle of 0°. Experian Magenta should always be applied from the left of the bar and Experian Dark Blue should always be applied from the right of the bar. The gradient is split evenly between the two colours (gradient location is at 50%).

Gradients can also be used within squircles, but only primary brand colours should be used to do this. Never use more than two colours at a time.

Note: The gradient bar should never be used as the dominant graphic within a layout or design. In print always reproduce the gradient bar using CMYK colours, never Pantone colours. To avoid reproduction issues, ensure a line thickness of at least 0.2 mm.

Test

Brand mark

Find out how to use our most important visual asset

Squircles

Not quite a square, not quite a circle. How will you use it?